Artist

Ajanta Caves called “The Greatest Ancient Picture Gallery” by William Dalrymple

A statue of the Buddha in one of the Ajanta Caves, India
A statue of the Buddha in one of the Ajanta Caves, India

Excerpt from “The Greatest Picture Gallery” Read this captivating article  by the excellent writer and historian William Dalrymple here at The New York Review of Books.

“[I]n 1819, a British hunting party in the jungles of the Western Ghats had followed a tiger into a remote river valley and stumbled onto what was soon recognized as one of the great wonders of India: the painted caves of Ajanta. On the walls of a line of thirty-one caves dug into an amphitheater of solid rock lay the most beautiful and ancient paintings in Buddhist art, the oldest of which dated from the second century BC—an otherwise lost golden age of Indian painting. In time it became clear that Ajanta contained probably the greatest picture gallery to survive from the ancient world, and along with the frescoes of Pompeii, the fabulous murals of Livia’s Garden House outside Rome, and the encaustic wax portraits of the Egyptian Fayyum, Ajanta’s walls represented perhaps the most comprehensive depiction of civilized life to survive from antiquity.”

This article brought back wonderful memories of visiting Ajanta Caves during my 2013-2014 Fulbright research and travels!

Read about Ajanta Caves here in this post.

Read also this related post about the nearby Ellora Caves.

Fulbright Artist Talk at Religion Colloquium, Bard College

It is with great pleasure that I will return to my alma mater Bard College to present a Fulbright Artist Talk at its Religion Colloquium.

Bard College Fulbright Artist Talk Religion Colloquium with Eva Lee

In addition to showing photos and videos of my 2013-14 Fulbright research on 10th-12th c. Buddhist mandalas in ancient Tibetan monasteries of Spiti, Lahaul, and Ladakh, I will be screening my new experimental film, Betwixt. This work-in-progress is almost complete, and it will be a special sneak peek for attendees only!

Eva Lee, "Betwixt," video, 2014
Still from Betwixt (05:06), 2014

At invitation of Asian Studies, Art, and Religion Departments, artist and experimental filmmaker Eva Lee presents at Bard College, Religion Colloquium, Monday, November 17th, 2014, 5-6pm. Hegeman Hall, Room 106. Open to the public.

Tips for Artists: How to Get a Fulbright Scholar Fellowship

Fulbright logoThis post is to pay it forward! I’m so grateful for the help that I’ve received from others. A few years ago, I didn’t even know artists could apply for a Fulbright Scholar fellowship, and now I have been awarded one to conduct research and create new work in India. I was emboldened to consider it thanks to a fellow artist who told me about her own Fulbright to India. I always thought it was for professors, students, and others associated with academia. NOT SO. Professionals “at-large,” that is, not associated with a college or university, may apply if they are of “recognized professional standing and have substantial professional accomplishments in their field.”

If you are an artist and interested in applying for the U.S. Core Fulbright Scholar program, now is the time to do so for 2014-2015. While the deadline is August 1st, 2013, I would advise you begin right away. It took about five months for me from beginning to end–from thoroughly reading the Fulbright website, understanding their mission, to researching at the library, drafting, writing, revising, revising, revising a good project statement. Your proposal should have quotes, footnotes, and bibliography, like a short research paper. It should be clear and concise. Be sure not to go over the number of pages allowed. Be sure your project is feasible and can be accomplished within the amount of time proposed.

Fulbright logoThese tips are intended to supplement Fulbright’s project statement guidelines. Please read and follow what’s on their website carefully. Here was my outline, using these subtitles:

  • Title and Intro – My first paragraph immediately said what my objective was and addressed these two key aspects:  Why I needed to conduct research in India that could not be done anywhere else, and how it is related to my work. Don’t make reviewers, who are reading hundreds of proposals, look around for what you propose to do! Say it right away.
  • Methodology – i.e., research and documentation, creative work and application
  • Academic and Professional Context – why I was interested in doing this, how my work is related to the research, fellow artists whose work have influenced mine, etc. Say why there is a worthy professional art context for your proposal.
  • Dissemination – My understanding was that some reviewers may not be familiar with how artists disseminate their research, so I was careful to be specific about how artists share ideas and their work through exhibitions, artist talks, lectures, workshops, etc. Do your homework and identify places abroad and in the U.S. where you could or would in fact be showing artwork, be on panel discussion, and so forth.
  • Significance of Research to My Discipline, My Development, and Host Country – I described how my research would contribute to contemporary art, what I envisioned my new creative work would be as a result of the fellowship experience, and how it would foster cross-cultural understanding.

Be sure to have helpful readers give you feedback as you work on your drafts.

I would recommend you have your project statement written two months in advance of the deadline so you can send it along to your referees for them to review and have time to write you letters of recommendations. You will also need to find an affiliation in your host country. Even though it is not required in India, it was highly recommended to me by other Fulbrighters. It took me 4-6 weeks to identify an Indian university faculty member with related interests, and secure his letter of invitation. I sent numerous emails, with my proposal attached, to different faculty I identified online. I also reached out to Indian and American friends with any connections or leads. Really appreciated their aid!

For the three letters of recommendation, I followed an artist Fulbright fellow’s advice. I asked the dean of my alma mater who was familiar with my work over the years since I graduated; a curator; and a Fulbright fellow. Even though I was applying as an at-large artist, Fulbright is still a scholarly program and having at least one academic referral strengthens one’s application.

For supplemental materials, which would be examples of your artwork, I recommend you include a list of works submitted, providing all the usual information (title, medium, dimensions, date) with short descriptions if necessary. Again, not all reviewers will be from your art discipline, so write for fellow professionals as well as layperson.

Fulbright also conducts webinars to provide further information and demystify the grant application process. I highly recommend these. There is a question-and-answer period at the end of the presentation. Webinar schedule for 2014-2015 application period can be found here.

I hope these are helpful tips. Good luck on your application!

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The Fulbright Program is the flagship international educational exchange program sponsored by the U.S. government and is designed to “increase mutual understanding between the people of the United States and the people of other countries.” With this goal as a starting point, the Fulbright Program has provided almost 310,000 participants—chosen for their academic merit and leadership potential — with the opportunity to study, teach and conduct research, exchange ideas and contribute to finding solutions to shared international concerns. —from Fulbright website

Himalayas / hi-MAAL-yah

Learn something new every day. The correct pronunciation for Himalaya is “hi-MAAL-yah.”

Mountains and the Indus River Valley as seen from Alchi Monastery circumambulatory, Himalayas.
Mountains and the Indus River Valley as seen from Alchi Monastery circumambulatory, Himalayas.

I look forward to going there later this year to conduct research as an artist, made possible by a Fulbright-Nehru Scholar award. Excited and honored! Truly grateful for this opportunity! I will be researching murals of Indo-Tibetan monasteries in Lahaul, Spiti, and Ladakh districts, with a focus on mandalas as a blueprint for understanding the nature of mind and reality.

So while my departure is still months away, I’ve already begun traveling in my mind as I await further details from Fulbright.